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Illustration from the Florentine Codex of the final steps in casting gold models; gold is melted in a furnace (left), a ladle of molten gold in the foreground (center) is going to be poured into an open mold, which was heated in a brazier to melt the wax (and keep the mold hot enough to allow gold to flow through the sprues and tiny channels), and the finished product is washed in an alum bath:
Making a casting core from charcoal and potter's clay (right) and flattening out a wax sheet to coat it (left), Florentine Codex:
Mexica serpent labret (lower lip ornament) with a movable tongue, as seen in the Metropolitan Museum:
Making a casting core from charcoal and potter's clay (right) and flattening out a wax sheet to coat it (left), Florentine Codex:
Mexica serpent labret (lower lip ornament) with a movable tongue, as seen in the Metropolitan Museum: