SoyBooru / Soybooru.com

[cutebooru3]

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damn girl you ate with that gif

 

[shekel]

@cutebooru3
I'll cut to the chase. Can we have sex?

 

[Lateral]

@cutebooru3
I'll cut to the chase. Can we have sex?

Are you a good hunky?

 

[soyoyuki]

it's snca but basically he chudcacaed some cobblestone rapes kids thing then shitflinged with me in the comments so i added artist:broot to all of his posts so he kept using different alts to remove them so i reported them and they got banned

my name is nophono and i care about this

 

[Meursault(1)]

it's snca but basically he chudcacaed some cobblestone rapes kids thing then shitflinged with me in the comments so i added artist:broot to all of his posts so he kept using different alts to remove them so i reported them and they got banned

admin bias is real, made an alt and I can't even fucking use it but this dummy has an army?
*sigh* remind me to use him for my boorubux scheme.

 

[Meursault(1)]

@ARKHAN THE BLACK
More like arkhan the caca, anyways saw you got a pretty penny in boorubux. I'll just make it clear I'm gonna rob you pal. unless you wanna end up in a trash can with apeson and 2 chumps, I'd say pay up.

 

[lifesucksthenyoudie]

View attachment 174651
What is Walter doing in there?

If you think about it he is pretty IAS
>cuck for Ted Beneke
>heccin loves soyence
>seethes at billionaires like Gretchen and Elliot (even though its all his fault)
>son is a cripple
>only hair on his head is facial hair, glasses
>drives a shitbox but not like a cool shitbox

 

[Buckinghamorange]

The tweet asks a deceptively simple question: should we “need it” or “keep it” when it comes to the link-up of SpotemGottem and Pooh Shiesty? On the surface, this could be interpreted as a question about whether their collaboration is worthwhile, exciting, or culturally significant. Yet, as with many seemingly casual inquiries, this question invites deeper philosophical reflection. What does it mean to “need” or “keep” something in the context of music, culture, and identity? How do these concepts shape not only our responses to creative collaborations but also our broader understanding of value, permanence, and growth?
To “need it” suggests a yearning for something new, dynamic, and impactful. SpotemGottem and Pooh Shiesty, both celebrated for their individual styles and personas, represent forces of creativity in the music industry. The phrase “need it” speaks to the potential energy inherent in their link-up. A collaboration between two unique artists hints at the promise of innovation: a track that shifts the culture, a sound that resonates across borders, or even just a moment that reflects the zeitgeist.
But why do we feel the need for such collaborations? In many ways, “needing it” reflects the human appetite for novelty. As fans and observers of culture, we are drawn to what is fresh and unexpected. The collaboration becomes a symbol of possibility, of something that could fulfill a creative or emotional gap. In this way, needing is inherently future-oriented—it’s about what could be, what hasn’t yet materialized.
Yet this impulse to need carries its risks. The music industry, like society at large, thrives on the endless creation of needs—new artists, new sounds, new trends. To constantly “need it” can lead to a cycle of dissatisfaction, where nothing ever feels enough. Will the link-up between SpotemGottem and Pooh Shiesty truly meet our expectations, or will it simply create a desire for the next big thing?
On the other hand, to “keep it” is to focus on preservation. In the context of the tweet, “keep it” might suggest that the collaboration is worth holding onto, that it’s meaningful enough to last beyond the initial excitement. It could also imply a desire for these artists to stay true to themselves—to keep their individuality and not let the collaboration overshadow their unique contributions to the culture.
Keeping is about anchoring oneself in what already exists. It’s a recognition of the value of stability and continuity. For fans, “keeping it” might mean cherishing the legacy and authenticity of these artists’ previous work. Pooh Shiesty’s gritty, streetwise lyricism and SpotemGottem’s raw energy have already earned them places in their respective lanes. Do we really need a collaboration, or should we “keep” and celebrate the distinctiveness they’ve already brought to the game?
However, keeping has its limitations. It can lead to stagnation—a refusal to evolve or take risks. Music, like life, thrives on experimentation. If we always choose to “keep it,” we might miss out on the transformative power of collaboration and change.
The question posed in the tweet—“Need it or keep it?”—captures a broader tension in how we relate to art and culture. To need is to embrace possibility, while to keep is to honor what is already valuable. Both choices have merit, and both are necessary.
In the case of SpotemGottem and Pooh Shiesty, perhaps the answer lies not in choosing one over the other but in finding harmony between the two. Their link-up represents the intersection of need and keep: the need for something fresh in the music landscape and the hope that what emerges will be worth keeping, both for its artistic quality and its cultural impact.
As fans, we can “need” this collaboration in the sense that we crave the innovation it promises. But we should also consider whether the partnership aligns with their identities as artists—does it build on their legacies or compromise them? A successful collaboration is one that satisfies both impulses: it meets the need for novelty while creating something enduring, something worth keeping.
The question also invites us to think about our broader relationship with music and culture. Are we too quick to “need” the next big thing, discarding artists and trends as soon as the hype fades? Or are we too hesitant to embrace change, clinging to nostalgia and resisting evolution?
SpotemGottem and Pooh Shiesty’s link-up is more than just a moment in music; it’s a microcosm of these cultural dynamics. It challenges us to reflect on what we value in art: is it the thrill of the new, or the comfort of the familiar? Can we appreciate the balance between the two—the way collaborations build bridges between past and future, between individuality and unity?
“Need it or keep it?” is not just a question about a single collaboration—it’s a lens through which we can explore our own attitudes toward creativity, change, and permanence. SpotemGottem and Pooh Shiesty’s link-up reminds us of the power of both needing and keeping. To need is to seek growth, to imagine what could be. To keep is to recognize worth, to hold onto what matters.
As we await the results of their collaboration, we might do well to embrace both sides of the question. Let us need their creativity, their energy, their ability to surprise us. But let us also keep the spirit of authenticity and individuality that has brought them to this moment. In the balance between need and keep lies the true essence of art—and perhaps, the true essence of life itself.

 

[Apeson]

And stay gone.

nugget bites

 

[Vale]

I genuinely think diarrhea gets an unfairly bad reputation.
If we're judging poops purely on efficiency, diarrhea wins.
Solid poop has you sitting there for 20–60 minutes, pushing like you're trying to give birth, repositioning yourself 14 times, scrolling through your phone, and eventually your legs are completely numb.
Meanwhile, diarrhea is basically a high-speed evacuation.
You sit down, your body handles the logistics, and you're done. No prolonged pushing. No waiting for the next little segment to arrive. No wondering if you're actually finished.
And let's talk about wiping.
Solid shits can be like wiping a fucking Sharpie. You wipe. There's still brown. Wipe again. Still brown. Wipe again. Somehow MORE brown. At some point you're not even cleaning anymore, you're just sanding the furniture.
With diarrhea, at least the whole operation is usually over quickly. It's a disgusting 45-second crisis instead of a 45-minute administrative process.
People say diarrhea is inconvenient, but have you considered that solid poop is an unpaid part-time job?
Obviously I'm not saying diarrhea is healthier. I'm saying that if we're talking purely about the experience of getting the poop out, diarrhea is faster, easier, and requires significantly less commitment.
I'll take a 45-second emergency evacuation over a 45-minute negotiation with a stubborn turd any day

 

[Buckinghamorange]

I genuinely think diarrhea gets an unfairly bad reputation.
If we're judging poops purely on efficiency, diarrhea wins.
Solid poop has you sitting there for 20–60 minutes, pushing like you're trying to give birth, repositioning yourself 14 times, scrolling through your phone, and eventually your legs are completely numb.
Meanwhile, diarrhea is basically a high-speed evacuation.
You sit down, your body handles the logistics, and you're done. No prolonged pushing. No waiting for the next little segment to arrive. No wondering if you're actually finished.
And let's talk about wiping.
Solid shits can be like wiping a fucking Sharpie. You wipe. There's still brown. Wipe again. Still brown. Wipe again. Somehow MORE brown. At some point you're not even cleaning anymore, you're just sanding the furniture.
With diarrhea, at least the whole operation is usually over quickly. It's a disgusting 45-second crisis instead of a 45-minute administrative process.
People say diarrhea is inconvenient, but have you considered that solid poop is an unpaid part-time job?
Obviously I'm not saying diarrhea is healthier. I'm saying that if we're talking purely about the experience of getting the poop out, diarrhea is faster, easier, and requires significantly less commitment.
I'll take a 45-second emergency evacuation over a 45-minute negotiation with a stubborn turd any day

wordswordswords diarrhea lost
shitting out a hard poopoo won

 

[ARKHAN THE BLACK]

@ARKHAN THE BLACK
More like arkhan the caca, anyways saw you got a pretty penny in boorubux. I'll just make it clear I'm gonna rob you pal. unless you wanna end up in a trash can with apeson and 2 chumps, I'd say pay up.

 

[catjakker]

 

[⸻⸻⸻]

>AHHHHH GUYS UNBAN ME FROM SOYCUCK.FORUM RIGHT NOW EVEN THOUGH IT'S A TEMPORARY BAN

 

[catjakker]

>AHHHHH GUYS UNBAN ME FROM SOYCUCK.FORUM RIGHT NOW EVEN THOUGH IT'S A TEMPORARY BAN
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God what a stupid dummyed mongoloid bitch

 

[soyoyuki]

>AHHHHH GUYS UNBAN ME FROM SOYCUCK.FORUM RIGHT NOW EVEN THOUGH IT'S A TEMPORARY BAN
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>banning everyone i dont like

 

[Broo2]

>AHHHHH GUYS UNBAN ME FROM SOYCUCK.FORUM RIGHT NOW EVEN THOUGH IT'S A TEMPORARY BAN
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The shroom is boring but i write spergouts whenever i get banned

 

[soyoyuki]

saar the shroom is fuggen dogshit but i brapped out 200 messages in 2 days

 

[soyoyuki]

i dont even see xer on the bans list

 

[Buckinghamorange]

i dont even see xer on the bans list

He's unbanned now.